#Queer as folk soundtrack dj boom boom series#
#Queer as folk soundtrack dj boom boom tv#

Shindler: We started the process as soon as we got a green light, and we auditioned. Gillen says he left his audition convinced he was never going to get the part - but luckily producers were impressed by some of his previous accolades. Queer as Folk auditions commenced almost immediately. I also got the first inkling that this drama was really about Nathan, not Stuart or Vince, it was a story about a kid who was going to kick against the pr*cks. On a second pass, I could really see the character clearly, how well-drawn the world and characters were. I read it, or half-read it, but it was my ex-wife, Olivia, who read it properly and encouraged me to go back to it. It had Queer as F*ck on the title and I thought, OK, thatвЂ™s bold. Channel 4 felt like the right place because itвЂ™s a place where you can do a kind of cheeky, provocative drama that aims for a big audience but can be quite risque as well.ДЄidan Gillen: The scriptвЂ™s arrival was old school: It came in a brown envelope. So, it was all kind of waiting for him to put in on the page, and once he delivered the first couple of scripts, Channel 4 were really enthusiastic, and we were green-lit to go straight into production. So I went to meet Russell and said, вЂњWhat do you want to write?вЂќ And Channel 4 were saying, вЂњLook, why donвЂ™t you write something where the lead characters are gay for a change, instead of the minor characters?вЂќ And Russell obviously had Queer as Folk in his head already, and he had the characters and the setup. and wanted to work with Russell, and Channel 4 wanted to work with me and Russell as well. Nicola Shindler: IвЂ™d set up Red Production Co. Luckily, Davies already had the perfect idea in mind. When it approached Shindler, she knew just the man for the job. In the late вЂ™90s, Channel 4 set out to create a drama that put gay men at the forefront.

#Queer as folk soundtrack dj boom boom series#

To do this, I spoke to leading man Gillen, who has gone on to star in other cult shows including Game of Thrones and Peaky Blinders, and the showвЂ™s BAFTA-award-winning executive producer Nicola Shindler, who recently set up a new production company, Quay Street Productions, marking a new chapter in her stellar career.Д«elow, Gillen and Shindler reflect on how Queer as Folk came to life and speak of their experiences working on a series that would change British television forever. Now, more than 20 years later, and in the wake of DaviesвЂ™ record-breaking success with ItвЂ™s a Sin, I wanted to take a look back at Queer as Folk and find out more about its creation. Its legacy can be felt in shows such as Sugar Rush The L Word Feel Good Love, Victor and so many more.

#Queer as folk soundtrack dj boom boom tv#

The Channel 4 production also garnered complaints from the very community it aimed to portray, with some LGBTQ+ viewers calling out the showвЂ™s decision to not explicitly address the HIV and AIDs epidemic, Attitude reported.ДЄmid the criticism, however, Queer as Folk was breaking new ground as the United KingdomвЂ™s first ever gay-centric TV drama, quietly laying the foundations for a television landscape that would slowly begin to embrace LGBTQ+ storylines. The backlash became so strong, in fact, that by the showвЂ™s fourth episode, BeckвЂ™s Brewery decided to withdraw its sponsorship of the drama. Any nation which allows this without any voices raised in dissent is lacking in both wisdom and self-respect. Certainly we shouldn't be at liberty to watch naked actors having relentless homosexual sex. вЂњ Queer As Folk proves that we need censorship. Per the Guardian, the Channel 4 drama received more complaints than any other programme broadcast on TV at that time, with one reviewer from the Daily Mail writing: With unfavourable attitudes toward gay people woven into the fabric of mainstream British society at that time, Queer as Folk sparked a wave of pearl-clutching from viewers and the media. Offering a depiction of British queer life against the backdrop of ManchesterвЂ™s вЂњGay Village,вЂќ the series had a fearless approach to delving into a range of controversial themes, most notably drug use, underage sex, and homophobia.

Debuting in 1999, the series arrived at a time when Margaret ThatcherвЂ™s Section 28 legislation continued to prohibit the so-called promotion of homosexuality in British schools and when almost 50% of the population disapproved of consensual sexual relations between two adults of the same sex.Д¬reated by screenwriter Russell T Davies (who went on to pen Years and Years and, more recently, It's a Sin), the show revolves around the lives of three gay men: the confident and overtly sexual Stuart (played by Aidan Gillen), his long-time friend and admirer Vince (Craig Kelly), and the fresh-faced high school student Nathan (Charlie Hunnam). To call Channel 4вЂ™s Queer as Folk pioneering would be something of an understatement.